Oil-based monoprint, 76 x 56cm
Joseph Goody’s abstract imagery is inspired by – in his words – ‘literature, castle walls, parapets and ideas of organisation’. Meticulously composed, his works have historically explored geometric forms and layering with a softness that creates a sense of tension.
This unframed, unique print was part of 'Shaping Time', a joint exhibition of work by Joseph and Coco Crampton presented at Sims Reed Gallery (11 - 27 September 2024). It was part of a body of new paintings and monoprints which see the artist exploring new territory; his imagery has begun to feel dramatically different, with a greater sense of complexity.
With its warm and impactful red and yellow palette, 'Latitude' relates to Joseph's previous smaller woodcut, 'Negation 1', showing the development of the artist's visual language over time.
Oil-based monoprint, 76 x 56cm
Joseph Goody’s abstract imagery is inspired by – in his words – ‘literature, castle walls, parapets and ideas of organisation’. Meticulously composed, his works have historically explored geometric forms and layering with a softness that creates a sense of tension.
This unframed, unique print was part of 'Shaping Time', a joint exhibition of work by Joseph and Coco Crampton presented at Sims Reed Gallery (11 - 27 September 2024). It was part of a body of new paintings and monoprints which see the artist exploring new territory; his imagery has begun to feel dramatically different, with a greater sense of complexity.
With its warm and impactful red and yellow palette, 'Latitude' relates to Joseph's previous smaller woodcut, 'Negation 1', showing the development of the artist's visual language over time.
