Photopolymer gravure with watercolour and chine collé, 60.5 x 63.5cm edition of 10
Suzanne Moxhay’s complex images use archival or newly-taken photographs as their starting point. Combining a variety of low and high-tech techniques, her digital photomontages and etchings explore interior and exterior spaces that, in the artist’s words, ‘feel as though they have broken down and perhaps been re-claimed’.
This unframed, limited edition print features hand-tinting and chine collé, a collage technique used to add subtle colour to an image using delicate tissue-like paper. The Photopolymer gravure technique produces results similar to a traditional etching, albeit without the use of acid. ‘Aspect’ is a reinterpretation of one of Suzanne’s archival pigment prints, of the same title. However, the gravure process gives this version of the image a softer, nostalgic feel. This print is signed and numbered on the front - see example image.
Purchased works are usually despatched within three working days.
Photopolymer gravure with watercolour and chine collé, 60.5 x 63.5cm edition of 10
Suzanne Moxhay’s complex images use archival or newly-taken photographs as their starting point. Combining a variety of low and high-tech techniques, her digital photomontages and etchings explore interior and exterior spaces that, in the artist’s words, ‘feel as though they have broken down and perhaps been re-claimed’.
This unframed, limited edition print features hand-tinting and chine collé, a collage technique used to add subtle colour to an image using delicate tissue-like paper. The Photopolymer gravure technique produces results similar to a traditional etching, albeit without the use of acid. ‘Aspect’ is a reinterpretation of one of Suzanne’s archival pigment prints, of the same title. However, the gravure process gives this version of the image a softer, nostalgic feel. This print is signed and numbered on the front - see example image.
Purchased works are usually despatched within three working days.
