Archival Pigment Print, edition of 10, 81 × 61cm
Suzanne Moxhay’s complex images use archival or newly-taken photographs as their starting point. Combining a variety of low and high-tech techniques, her digital photomontages and etchings explore interior and exterior spaces that, in the artist’s words, ‘feel as though they have broken down and perhaps been re-claimed’.
Suzanne’s practice is informed by an interest in film-making, and strong light sources play a key role in creating drama. ‘There’s always been a bit of a play in my work between what’s inside and outside, both in literal and psychological terms. In films the sets and scenes are often used in a way to try and describe the psychology of the character or something to do with the story; that’s always interested me.’
A white border of approx. 5-7cm is included in the stated paper size and all prints are signed on this border - please see example image below.
Purchased works are usually despatched within three working days.
Archival Pigment Print, edition of 10, 81 × 61cm
Suzanne Moxhay’s complex images use archival or newly-taken photographs as their starting point. Combining a variety of low and high-tech techniques, her digital photomontages and etchings explore interior and exterior spaces that, in the artist’s words, ‘feel as though they have broken down and perhaps been re-claimed’.
Suzanne’s practice is informed by an interest in film-making, and strong light sources play a key role in creating drama. ‘There’s always been a bit of a play in my work between what’s inside and outside, both in literal and psychological terms. In films the sets and scenes are often used in a way to try and describe the psychology of the character or something to do with the story; that’s always interested me.’
A white border of approx. 5-7cm is included in the stated paper size and all prints are signed on this border - please see example image below.
Purchased works are usually despatched within three working days.
