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Image 1 of 1
Image 1 of 1
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Archival Pigment Print, edition of 15, 110 x 80cm (unframed)
Suzanne Moxhay’s complex images use archival or newly-taken photographs as their starting point. Combining a variety of low and high-tech techniques, her digital photomontages and etchings explore interior and exterior spaces that, in the artist’s words, ‘feel as though they have broken down and perhaps been re-claimed’.
Suzanne’s practice is informed by the theatre of film-making, and strong light sources play a key role in creating drama. New life is breathed into deserted scenes by encroaching foliage or startled birds; often an uneasy sense of stillness prevails. Despite her focus upon digital techniques, Suzanne’s images retain a painterly quality achieved through layering and manipulation of textures. This light-infused image of a grand, decrepit interior was taken in an abandoned town in Spain using a combination of images taken during the day and night.
Purchased works are usually despatched within three working days.
Archival Pigment Print, edition of 15, 110 x 80cm (unframed)
Suzanne Moxhay’s complex images use archival or newly-taken photographs as their starting point. Combining a variety of low and high-tech techniques, her digital photomontages and etchings explore interior and exterior spaces that, in the artist’s words, ‘feel as though they have broken down and perhaps been re-claimed’.
Suzanne’s practice is informed by the theatre of film-making, and strong light sources play a key role in creating drama. New life is breathed into deserted scenes by encroaching foliage or startled birds; often an uneasy sense of stillness prevails. Despite her focus upon digital techniques, Suzanne’s images retain a painterly quality achieved through layering and manipulation of textures. This light-infused image of a grand, decrepit interior was taken in an abandoned town in Spain using a combination of images taken during the day and night.
Purchased works are usually despatched within three working days.
