Polymer gravure, 31 × 41cm, edition of 20.
Theadora Ballantyne-Way’s imagery is partly informed by electronic club culture and her previous occupation as a VJ (visual jockey), producing collaborative live, visual performances. Working primarily in printmaking and photomontage, her artistic practice is also heavily influenced by the Surrealist movement and the concept of animism - the belief that objects possess a distinct spiritual essence or soul.
Many of Theadora’s limited edition prints are made using the polymer gravure process; printed from solar plates, these works feature the velvety texture and antiquated feel of traditional etchings. This unframed limited edition print is typical of Theadora’s dystopian and witty compositions, where the artist takes domestic objects - such as the Philippe Starck-designed Alessi lemon squeezer - transforming them into monumental, industrial components or extraterrestrials.
Purchased works are usually despatched within three working days.
Polymer gravure, 31 × 41cm, edition of 20.
Theadora Ballantyne-Way’s imagery is partly informed by electronic club culture and her previous occupation as a VJ (visual jockey), producing collaborative live, visual performances. Working primarily in printmaking and photomontage, her artistic practice is also heavily influenced by the Surrealist movement and the concept of animism - the belief that objects possess a distinct spiritual essence or soul.
Many of Theadora’s limited edition prints are made using the polymer gravure process; printed from solar plates, these works feature the velvety texture and antiquated feel of traditional etchings. This unframed limited edition print is typical of Theadora’s dystopian and witty compositions, where the artist takes domestic objects - such as the Philippe Starck-designed Alessi lemon squeezer - transforming them into monumental, industrial components or extraterrestrials.
Purchased works are usually despatched within three working days.
